CURRENT PROJECTS:





UPCOMING PERFORMANCES:

We're in the Festival, and we're also doing a bunch of shows on our way down there and back. Here's our itinerary. If you know anyone living in these cites, tell em to come out and see the show!

Mar 25th - Urbana, IL Independent Media Center
with experimental music
Mar 26th - Birmingham AL, Green Cup Books
with Yakuza Dance Mob
Mar 27th - New Orleans LA, Sidearm Gallery with Church Rag, The Self-Help Tapes
Mar 28th - Houston TX, Sedition Books
Mar 29th - Austin TX, Salvage Vangaurd Theatre
with Douglas Ferguson, Yellow Crystal Star, and Amir Coyle
Mar 31st - Bisbee AZ, Sully's Cafe, 24 Brewery Gulch Rd (downstairs) 7:00 PM with Eric Bang! and Gypsy Geoff
Apr 2nd - 5th - PHX Fringe
April 7th - Salt Lake City UT, The Urban Lounge
April 8th - Denver, The Blast-o-mat, with Dun Bin Had and 10-4 Elenor
April 9th - Boulder, Naropa University 2130 Arapaho Ave, Sycamore Room 8120 6PM
April 11th - Chicago, Rooms Gallery with Instinct Control, Mykel Boyd, and The Wilford Brimleys

PAINT THE TOWN is the tale of an inspired revolutionary, the perfect family who loves her, and the man who slaughters that family in a wave of brutal terrorist strikes to set her free. It is a call to action for the super radical core of the creative class.


The above video was created by Jason Hames and features music by Peter J Woods.

The original production was written by Rex Winsome and directed by Tracy Doyle. It's initial production starred Kate Pluess, Rex Winsome and Jason Hames. The set was designed and built by Kurt Hartwig and decorated by Kate Pleuss and Rex Winsome. Other technical and stage assistance from Becky Tesch and Amy Turk.

Current productions star Kate, Rex and John Kuehne, and are of a newly workshopped script, directed by the cast with some assistance by Jonathan Schneider (formerly of Theatre X).

This show is now intermittently touring the country often with musical support from Peter J Woods. Peter combines power electronics, noise, minimalism, industrial and hardcore.


PREVIOUS PERFORMANCES:

Minneapolis!

Tour Report

Jan 16-18: Bedlam Theatre Minneapolis MN, with Lamb Lays With Lion's experimental theatre peice: The Little Skeleton Who Could Not and To Kill a Petty Bourgeoisie

Down South Winter Tour

Pics by Peter or Kate or Rex (contains spoilers)

Rex's Post - Tour Report

More photos, from Toldeo (Warning, these may spoil the end of the play even more than the pics above)

Dec 28th - Independent Media Center, Urbana, IL.
Dec 29th - The Eye Drum, Atlanta, GA. with: Offerings and 09A.
Dec 30th - Cafe 11, St Ausgustine, FL. with: Reptile Theatre, Moon Juice, Boy+Girl, many more
Dec 31th - Zeitgeist, New Orleans, LA. with: Illusian Fields, Self Help Tapes Evolve (avant hip-hop)
Jan 2nd - Green Cup Books, Birmingham, AL
Jan 3rd - Robinwood Concert House, Toledo, OH. with Dr. Rhomboid Goatcabin
Jan 4th- Stonefly Brewery, Milwaukee WI. with White, Wrench Conservatory + Fahri

Blurry pics, by Tronvega

Oct 23rd - 26th Regional Mini-Tour:
Tour Report.
The Co-Prosperity Sphere, Chicago.
Nottingham Cooperative, Madison.
Bedlam Theatre, Minneapolis.

Aug 15th-31st, East Coast Tour:
Tour Report. Another Tour report
The alley by Fuel Cafe, Milwaukee.
Hotti Biscotti, Chicago.
Acid Fever House, Dayton OH
DAAC, Grand Rapids MI
Some Warehouse, Allenton PA
Lucy Parson's, Boston MA
50 Agnes, Providence RI
Silent Barn, New York City
Karin Park, New York City
The Pageant, Philadelphia PA
Copy Cat Annex, Baltimore MD
Lemp Arts, St Louis MO
The Borg Ward, Milwaukee.


July 10-27th, initial production.
A three week local run at The Alchemist Theatre in conjunction with our production of Systems.

"satisfying, disturbing and highly entertaining. Its glimpse into a world of terror – devoid of emotion – chills, even when we feel, somehow, a little sympathetic..."
- Burt Wardall, Vital Source Online

"Paint the Town is an utter rarity these days: a radical drama based on cool thought. But don't let it's icy surface fool you, Paint the Town smolders with rage at the horrible joke our world has become. Rex Winsome takes a scalpel to the values our society holds dear, and nobody is left unscathed: not capitalists, humanitarians, or revolutionaries. It's an angry, smug, terrifying play inflected with Brecht, Artaud, and Dogme."
- Jeff Grygny, Drama Critic for Shepherd Express Milwaukee.

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